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Megadeth - Countdown To Extinction. 20th Anniversary Edition (2012) Heavy Metal Megadeth 320 kbps MP3 unmixed 2012 02:24:12 253 Mb Uploaded: letitbit.net, unibytes.com, turbobit.net Tracklist: CD 1: 01. Skin O’ My Teeth 02.
Symphony Of Destruction 03. Architecture Of Aggression 04. Foreclosure Of A Dream 05. Sweating Bullets 06. This Was My Life 07. Countdown To Extinction 08. High Speed Dirt 09.
Psychotron 10. Captive Honour 11.
Ashes In Your Mouth CD2: 01. Intro (Live At The Cow Palace San Francisco, 1992) 02. Holy Warsthe Punishment Due (Live At The Cow Palace San Francisco, 1992) 03. Skin O’ My Teeth (Live At The Cow Palace San Francisco, 1992) 04. Wake Up Dead (Live At The Cow Palace San Francisco, 1992) 05. Hangar 18 (Live At The Cow Palace San Francisco, 1992) 06.
Countdown To Extinction (Live At The Cow Palace San Francisco, 1992) 07. Foreclosure Of A Dream (Live At The Cow Palace San Francisco, 1992) 08.
This Was My Life (Live At The Cow Palace San Francisco, 1992) 09. Lucretia (Live At The Cow Palace San Francisco, 1992) 10. Sweating Bullets (Live At The Cow Palace San Francisco, 1992) 11. In My Darkest Hour (Live At The Cow Palace San Francisco, 1992) 12.
The Conjuring (Live At The Cow Palace San Francisco, 1992) 13. Tornado Of Souls (Live At The Cow Palace San Francisco, 1992) 14. Ashes In Your Mouth (Live At The Cow Palace San Francisco, 1992) 15. Symphony Of Destruction (Live At The Cow Palace San Francisco, 1992) 16. Peace Sells (Live At The Cow Palace San Francisco, 1992) 17.
Anarchy In The UK (Live At The Cow Palace San Francisco, 1992).
. ' Released: July 21, 1992.
'Foreclosure of a Dream' Released: October 13, 1992. ' Released: February 16, 1993. ' Released: April 12, 1993 Countdown to Extinction is the fifth studio album by American band, released on July 14, 1992, through.
It was the group's second studio release to feature the 'classic' lineup of Dave Mustaine, Marty Friedman, David Ellefson and Nick Menza, with all of them contributing to songwriting on the album. The album features some of the band's best known songs such as ', ' and ', which enjoyed significant chart success and made a great musical impact. Countdown to Extinction received positive reaction from, who noted its politically oriented lyrics and simplified sound in comparison to their previous record. The album entered the at number two, the band's highest position ever.
Megadeth Greatest Hits
It eventually achieved status and became their most commercially successful album. The record was nominated for at the, while the album's title track won the 's for raising awareness for animal rights issues. In 2012, in recognition of the album's 20th anniversary, Megadeth kicked off a 20th anniversary tour in South America, playing the album in its entirety. In addition, a 20th anniversary special edition of the album was released in November 2012, and featuring a performance of the full album was released in September 2013. Contents. Production and musical style Countdown to Extinction is Megadeth's fifth studio album, and the second to feature the line-up of Dave Mustaine, and. In an interview for at the time, Mustaine admitted that he fired past members and because they resisted his pleas to seek rehabilitative counseling.
He added that it was a 'major accomplishment' that all four members of Megadeth contributed material to the album, unlike their earlier releases which were 'nearly all Mustaine'. Mustaine also revealed that producer had significant input to the album by making 'a lot of suggestions and a lot of great artistic ideas'. Guitarist Marty Friedman said that unlike, the creation of this record was 'completely different'. He further stated that the band had changed the songs 'a million times' before recording them on demo and entering the studio.
The music for Countdown to Extinction was written in two different sessions. The first session was done following the conclusion of tour, while the second session took place after a one-month break, in the fall of 1991. The album was recorded in the first half of 1992, when the took place. These events negatively affected the recording process, as the band was forced to leave the studio every night at six o'clock because of the enacted curfew.
Dave Mustaine shared his experience: 'There’s nothing worse than getting a creative moment and you have to leave. It was like a school bell ringing.' The record was produced by Mustaine and Max Norman at The Enterprise in, while the was handed by Norman with the help of Fred Kelly. Referring to the recording process, Mustaine said that Countdown to Extinction 'was one of those records where everything was firing on all 12 cylinders and you just know it'. He also said that it didn't take the band a long time to record the album because 'records were a lot easier to make back then because the pressure wasn't quite as hard'.
We'd take a break and go outside with a basketball and shoot some hoops and walk back in, and Dave would pick his guitar up, and out fell the riff to 'Sweating Bullets'. — David Ellefson, on composing the music Following 's mainstream breakthrough in 1991, Mustaine stripped down Megadeth's sound, though the music remained as technically perfectionist as their previous releases. Drummer Nick Menza explained: 'Metallica has definitely opened the doors for other bands to step through. We're obviously the next band to step through that doorway.' Musically, Countdown to Extinction saw Megadeth beginning to incorporate more melody and mid-tempos into its traditional sound. Bassist David Ellefson noted that the band's goal was to 'create music that had more of a groove to it,' capitalizing on the melodic playing style employed by Friedman, and further assisted by the input of producer Norman. Author Thomas Harrison wrote that with this album, Megadeth's music became 'more virtuosic than noisy and took the next step towards widespread acceptance'.
Lyrics Like its predecessor, many of the songs on the album have political and military undertones. However, the opening track 'Skin o' My Teeth' was speculated being about suicide, a theme which differs from the rest of the album. ', with lyrics written by, details a story about a regular citizen as the head of a puppet regime, as the country is run by a phantom government. The song was noted by critics for its great social and philosophical impact.
'Architecture of Aggression' explores the nature of global conflict; Mustaine revealed that the song was about former Iraq president, who was engaged in the at the time. 'Foreclosure of a Dream' deals with economic concerns and social inequality. According to music critic Eduardo Rivaldivia, 'perhaps no other Megadeth song in history deals as directly and soberly' with these issues. The song sampled then-U.S. President 's infamous ' speech, making a statement about taxation endangering the '. Billboard praised the track, along with 'Symphony of Destruction', for being 'socially conscious' and described them as 'powerful statements for hard rockers'. The fifth track, 'Sweating Bullets', shows Mustaine's battle with his inner selves, which is presented throughout a conversational singing style.
'Sweating Bullets' was written during the second recording session and was released as the album's third single. Its lyrical theme deals with paranoia. David Ellefson commented that the song's lyrics were 'psychotically perfect' and sounded like 'the inside of a crazed lunatic's mind'. The title track was inspired by environmental concerns about the future of the planet, as well as criticisms of trophy hunting and the negative impact that is has. The name was suggested by Nick Menza, who had read a story in magazine entitled 'The Countdown to Extinction'. 'High Speed Dirt' focuses on skydiving.
'Captive Honour' is a song about prison and the consequences of crime, while 'Psychotron' was written about the character. The album's closing track, 'Ashes in Your Mouth', concentrates on the negative aftermaths of war.
The longest tune on the record, it is performed at intense tempo and features guitar leads. Critical reception Professional ratings Review scores Source Rating A− 5/10 Rock Hard 9/10 4/5 Countdown to Extinction received generally positive reaction from critics.
Wrote that the album 'may just be the finest album ever made, although purists may find it a bit too polished and easy to swallow'. Reviewer Steve Huey said that 'Megadeth guns for arena thrash success and gets it on Countdown to Extinction'. However, Huey noted the simplification of Megadeth's sound on the album in response to 's commercially successful released the previous year. Reviewer Mike Stagno praised Mustaine's vocals as well as a number of the album's tracks. Despite calling this effort 'Megadeth's first step into the world of mainstream music', he also noted that 'the band still maintains its identity'. Described the sound as 'impressively clean, streamlined, and sharp, brimming with killing riffs'. They highlighted the vocal delivery on the record, saying 'Mustaine's never sounded more confident, verbally and vocally'.
Writer Craig Hayes opined that Countdown to Extinction was 'either an exemplary illustration of nimble-fingered thrash metal that introduced Megadeth to a legion of new fans' or 'an unimaginative, artistically cynical stab at arena-baiting commercial success'. According to Greg Sandow from, Megadeth's 'music has lost its former hurricane verve but keeps its crunch, and feels more rooted, even more melodic'. Chad Bowar from raved the album's 20th anniversary edition, describing the songs as 'more straightforward' and the lyrics predominantly being 'politically charged'. Jon Hadusek, writing in, labeled Countdown to Extinction as Mustaine's 'political record' and said that the record 'saw Megadeth moving away from thrash metal and closer to generic hard rock, a sonic shift they would embrace on subsequent albums'.
In an unfavorable review, Karen Csengeri of wrote that 'while Countdown echoes the band's earlier work thematically, it's stylistically disappointing'. However, the magazine would later rank the album 33rd on their 2017 '100 Greatest Metal Albums of All Time' list. By contrast, Holger Stratmann of Rock Hard concluded that the disc is 'a compact album with a few strokes of genius'. Reviewing the album's deluxe edition for, journalist eulogized it as a 'masterpiece of technical, melodic thrash' and a showcase of Megadeth 'at their best and most coherent'. Sales and impact Countdown to Extinction was released on July 6, 1992 through and debuted at number two on the with first week sales of 128,000 copies.
It was prevented from entering the chart at number one because of Billy Ray Cyrus' long chart-topping reign with. The album was acknowledged as the band's commercial breakthrough, and according to authors Pete Prown and Harvey P.
Newquist, Megadeth 'reached the heights of popularity and critical acclaim' with this particular record. Two years after its original release, Countdown to Extinction was certified and became the band's most commercially successful album, confirming that they had retained their audience in the wake of.
The record was nominated for at the, while the album's title track won the 's for raising awareness for animal rights issues. Complimented Mustaine's vocals and his interplay with guitarist Marty Friedman on the record. The record enjoyed similar chart success outside of the United States. It managed to peak within the top 5 on the charts in the and, and charted for eight weeks on both of them. It also entered the top 10 on the and albums chart, while it charted slightly lower in several other countries as well. It was eventually certified three times platinum from the for shipping 300,000 copies and received a silver award from the for having a shipment of 60,000 copies. Asked how does he think that the album has aged, Dave Mustaine responded: 'I think it's timely and timeless at the same time, and I think that's one of the most difficult things for a musician to do.
Very few records in our genre are like that. Musically it's heavy and the lyrics are very symbolic.' In the liner notes of the album's 20th anniversary edition, music journalist Kory Grow wrote that 'thanks to a perfect balance of hard-rock song structures, epic choruses, and fleet-fingered guitar work, Countdown to Extinction became an instant classic, benefiting from copious and radio play.' Editor in chief Rick Florino called the album a 'seminal' release and commented that it 'changed the game by preserving the band's thrash intensity and impressive technical prowess, while dropping some of the biggest hooks the genre had ever seen'. In a retrospective review of the album, Craig Hayes from wrote that Countdown to Extinction's 'status as a gateway metal album is indisputable' and its 'popularity speaks volumes about its significance in the metal canon'. Touring The group started the Countdown to Extinction tour in 1992 with, and as the opening acts.
They headlined the in Copenhagen on June 27 the same year, and continued with dates in Europe during the summer. The tour carried on throughout 1993, with the band making appearances on a number of large festivals. In January they performed in the United States with as the supporting act. Although these two bands had scheduled tour dates in Japan during the month of May, the dates were subsequently canceled.
In June 1993, Megadeth played at the Milton Keynes with and later opened for and on their European tour. After finishing their major European tour, the band began a US tour which eventually ended on December 8, 1993. Megadeth honored the 20-year jubilee of the album's release with a headlining tour on which they played the record in its entirety. The tour began in September 2012 with live performances in South America, and continued the following two months with shows in North America. During this tour, three songs from the record ('Architecture of Aggression', 'Psychotron' and 'Captive Honour') had their live premiere, and a couple of others ('This Was My Life' and 'High Speed Dirt') have been performed for the first time in many years. David Ellefson shared his impressions from playing the set live with newer members and by saying that they 'executed the songs to 100% perfection'.
A which features a performance of the full album was released on September 24, 2013. Reissues In July 2004, released a remastered version of the album with four bonus tracks. The remixed edition was a part of the band's reissued catalog during their tenure at Capitol. Dave Mustaine himself was in charge during the remixing process.
In June 2006, two audiophile remasters of the album were released; an Ultradisc II Gold CD version by the, and a 180 gram vinyl 2LP version, both mixed by Mustaine. A 20th anniversary edition was released on November 6, 2012.
This release features the original album on disc one, omitting the bonus tracks from the 2004 re-release. Disc two features a recording of the band's performance at San Francisco's in 1992, a show never before released in its entirety. Additionally, a 24' x 36' poster and four collectible postcards are included in the package. The liner notes have also been written by music journalist Kory Grow, and the reissue includes a poster and four postcards featuring head shots of each member from the album's lineup. Track listing All tracks written by, except where noted.
Title Lyrics Music Length 1. 'Architecture of Aggression', Mustaine 3:34 4. 'Foreclosure of a Dream' Ellefson, Mustaine 4:17 5. ' (5:27 on the 2004 reissue) 5:03 6. 'This Was My Life' 3:42 Side two No.
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Title Lyrics Music Length 7. 'Countdown to Extinction' Ellefson, Mustaine, Mustaine 4:16 8. 'High Speed Dirt' (4:21 on the 2004 reissue) Ellefson, Mustaine 4:12 9. 'Psychotron' 4:42 10. 'Captive Honour' Ellefson, Mustaine Friedman, Menza, Mustaine 4:14 11.
'Ashes in Your Mouth' Ellefson, Friedman, Menza, Mustaine 6:10 Total length: 47:26 Japanese edition bonus tracks (TOCP-7164) No. Title Lyrics Music Length 12. 'Breakpoint' Ellefson, Menza, Mustaine Ellefson, Menza, Mustaine 3:28 13. 'Go to Hell' (originally from the to ) Ellefson, Friedman, Menza, Mustaine Ellefson, Friedman, Menza, Mustaine 4:37 2004 remastered/remixed edition bonus tracks No.
Title Lyrics Music Length 12. 'Crown of Worms', Mustaine Mustaine 3:18 13.
'Countdown to Extinction' (demo) Ellefson, Menza, Mustaine Friedman, Mustaine 3:55 14. 'Symphony of Destruction' (demo) Mustaine Mustaine 5:30 15. 'Psychotron' (demo) Mustaine Mustaine 5:28 2012 20th anniversary bonus disc Live at Cow Palace No.
Title Length 1. 'Intro' 1:26 2. The Punishment Due' 6:29 3.
'Skin O' My Teeth' 3:08 4. 'Wake Up Dead' 3:38 5. 'Hangar 18' 4:58 6. 'Countdown to Extinction' 4:34 7.
'Foreclosure of a Dream' 4:07 8. 'This Was My Life' 3:32 9. 'Lucretia' 3:39 10. 'Sweating Bullets' 4:44 11. 'In My Darkest Hour' 6:10 12.
'The Conjuring' 5:03 13. 'Tornado' 5:47 14. 'Ashes in Your Mouth' 6:12 15. 'Symphony of Destruction' 3:46 16. 'Peace Sells' 4:14 17.
'Anarchy in the UK' 3:13 Live at the Cow Palace EP (1992) No. Title Lyrics Music Length 1. The Punishment Due' Mustaine Mustaine 6:56 2. 'Sweating Bullets' Mustaine Mustaine 4:46 3.
'In My Darkest Hour' Ellefson, Mustaine Mustaine 6:06 4. 'Symphony of Destruction' Mustaine Mustaine 3:52 5. 'Peace Sells' Mustaine Mustaine 4:13 6. 'Anarchy in the U.K.' , Rotten 3:48 Personnel Credits are adapted from the album's liner notes. Megadeth.
– rhythm guitar, lead guitar, lead vocals. – bass guitar, backing vocals. – lead guitar, rhythm guitar, acoustic guitar, backing vocals.
– drums, backing vocals Artwork. –, Design.
Tommy Steele – Creative Direction. Cameron Wong – Photography of Cover elements. Chris Cufarro – Band photography. John Taylor Dismukes – Logo rendering Production.
by and Dave Mustaine. and by Max Norman with Fred Kelly, Jr. ^ Bowar, Chad. Retrieved December 30, 2012. ^ Morris, Chris (25 July 1992).: 11. Retrieved October 1, 2013.
Summers, Jodi (March 1992). Retrieved October 9, 2013. ^ Prince, Patrick (November 19, 2012). Retrieved November 1, 2013.
Rosen, Steven (April 14, 2010). Archived from on November 3, 2013. Retrieved November 2, 2013. ^ Ringo, Johnny (March 27, 2013). Hails & Horns. Retrieved October 19, 2013.
Bowar, Chad (November 18, 2012). Retrieved November 1, 2013. ^ Countdown to Extinction liner notes (Japanese edition). Pp. 3–5, 7–8, 10. Chamberlain, Rich (June 3, 2013).
Retrieved October 8, 2013. ^ Florino, Rick (November 7, 2012). Retrieved October 8, 2013. Erlewine, Stephen Thomas. Retrieved October 8, 2013. ^ Pessin, Anna Lisa (October 1992).
Retrieved September 20, 2013. ^ Aberback, Brian (November 12, 2012). Retrieved October 9, 2013.
^ Hartmann, Graham. Retrieved 30 September 2012. ^ Rivaldivia, Eduardo. Retrieved 30 September 2012. Rene, Sheila (1995). Retrieved November 5, 2013.
Retrieved 30 September 2012. ^ Melinda Newman; Chris Morris; Edward Morris (25 July 1992).: 45. Retrieved October 19, 2013.
Marty Friedman. September 18, 2002.
Retrieved November 1, 2013. ^ Lawson, Melissa (April 10, 2009). Archived from on 29 October 2013. Retrieved 30 September 2012. ^ Countdown to Extinction liner notes (remastered edition).
^ Huey, Steve. Retrieved August 4, 2012.
Herrmann, Brenda (July 30, 1992). Retrieved February 16, 2014.
^ Hadusek, Jon (November 8, 2012). Retrieved December 30, 2012. ^ Sandow, Greg (July 24, 1992). Retrieved August 4, 2012.
^ Hayes, Craig (November 30, 2012). Retrieved August 21, 2012. Retrieved August 28, 2013. ^ McIver, Joel (2012). Retrieved October 23, 2013.
^ Csengeri, Karen (January 27, 1997). Archived from on 1 October 2007. Retrieved November 11, 2012. ^ Stratmann, Holger. Retrieved May 22, 2013. ^ Stagno, Mike (August 6, 2006).
Retrieved August 4, 2012. Begrand, Adrien (21 June 2017). Wenner Media LLC.
Retrieved 21 June 2017. Mayfield, Geoff (July 5, 1997).: 96. Retrieved October 10, 2013.
September 10, 2012. Retrieved October 10, 2013. Retrieved February 24, 2013. Retrieved November 5, 2013. Archived from on November 5, 2013. Retrieved November 5, 2013. Archived from on July 16, 2016.
Retrieved November 5, 2013. Retrieved October 19, 2013. September 2, 2012.
Retrieved September 12, 2012. September 10, 2012. Retrieved October 19, 2013.
Hard Rock Heaven. Retrieved October 29, 2013. August 20, 2013. Retrieved August 24, 2013. Ayers, Chris (March 2005). Retrieved September 30, 2013. Retrieved October 1, 2013.
^ Ramirez, Carlos (September 13, 2012). Retrieved October 8, 2012. Adams, Gregory (September 10, 2012). Retrieved September 30, 2013. Live at the Cow Palace CD label. Capitol Records. September 19, 1992.
Retrieved August 5, 2008. German Albums Charts (charts.de). Retrieved September 18, 2013.
(in Japanese). Retrieved September 30, 2008. Retrieved September 28, 2013. Retrieved November 5, 2013. Retrieved November 5, 2013. Bibliography.
Arnett, Jeffrey Jensen (1996). Metalheads: Heavy Metal Music And Adolescent Alienation. Prown, Pete; Newquist, Harvey P., eds.
Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Rees, Dafydd; Crampton, Luke, eds. Rock stars encyclopedia. Barelian, Essi (2005). Rough Guide to Heavy Metal.
Bob, Gulla (2006). The Greenwood Encyclopedia of Rock History: The grunge and post-grunge years, 1991–2005. Harrison, Thomas (2011).
Music of the 1980s. Ellefson, David (2013). My Life with Deth: Discovering Meaning in a Life of Rock & Roll. External links.
at (list of releases).
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